![]() Hallström’s signature sentimentality goes stiff among a cast that’s choked in one-note roles. To their credits, the finished film isn’t disjointed. And it’s difficult to know who to blame as The Nutcracker and the Four Realms has Lasse Hallström for the initial production, but Joe Johnston was called in for 32 days of reshoots. She is no fleeing damsel in distress but instead a bold girl who leaps into action and leads her own troops into battle! Unfortunately, the script’s setups are spoiled in execution. ![]() Her tweak that turned Clara into a young engineer is a bit heavy-handed but offers some great onscreen representation for girls interestest in STEM, and more importantly, makes Clara a more pro-active heroine than some old-school Disney princesses. Powell’s approach adds more action sequences and encourages the production design to run wild, crafting colorful characters, surreal spectacle, and fantastical fight scenes. With the help of a handsome nutcracker (Jayden Fowora-Knight), Clara must save her mother’s kingdom before it’s too late! Rowdy ringmaster Mother Ginger (Helen Mirren) is brewing for a war, using her mice minions as her army. But her new pal the Sugar Plum Fairy (Keira Knightley) warns Clara all is not well in the four realms. Instead, she finds a portal to another world, where her mother was queen and she is honored as Princess Clara! She is swiftly swept up in the pageantry of this land of flowers, snowflakes, and candy. At his beguiling holiday party, a grieving Clara seeks out the missing key that would unlock her mother’s final gift to her. The script by Ashleigh Powell re-imagines Clara Stahlbaum (Mackenzie Foy) as a child-genius who takes after her late mother, an expert engineer who was a protege to master toymaker Drosselmeyer (an eye-patched Morgan Freeman). The result is a film that’s very pretty, pretty family-friendly, but also startlingly dull. Hoffmann’s short story “The Nutcracker and the Mouse King” and Marius Petipa’s The Nutcracker Ballet, but folds in more intrigue, adventure, and a heavy dose of female empowerment to better entice modern audiences. This ambitious adaptation is inspired by both E. 2.With the success of live-action, female-fronted fantasies like Beauty and the Beast, Cinderella, and Alice and Wonderland, Disney decided to roll the dice with The Nutcracker and the Four Realms. “The Nutcracker and the Four Realms” is in theaters on Nov. Attendees could also participate in various activity booths around the room, which included snow globe making and a hair styling station where one guest was getting his head dyed blue.įollowing the red carpet, audience members crossed the street to the El Capitan Theatre where Christmas lights hung from the rafters accompanied by live organ and a glittering blue curtain, which came down to signal the start of the movie. Off of the red carpet, the premiere pre-party embraced its fantasy roots with a twinkling room of lollipop trees, candy bars, and costumed actors walking on stilts. Took a trip around the cocktail party and stumbled across a hair styling booth (a guest was getting his hair spray painted blue), a snow globe making booth and several candy cane trees. “That’s life, and we wanted to be reflective of that.”Īs such, “The Nutcracker and the Four Realms” features several actors of color including Fowora-Knight as well as Morgan Freeman, Lil Buck, and Eugenio Derbez. “We were all really conscious of it we wanted it to look like the world today,” Smith said. Executive producer Sara Smith said she and other producers made a concerted effort to incorporate diversity into the film from its very beginnings, which stemmed from producer Mark Gordon‘s annual holiday trips to the “Nutcracker” ballet. Representation was also a priority for the film’s producers, especially when they were laying the groundwork for the film. “There’s a lot of diversity in TV, in movies, in everywhere – everyone’s got their own representation now, and it’s nice to see it.” “It’s 2018…It’s just how the business is nowadays,” Fowora-Knight told Variety. On the red carpet, Fowora-Knight echoed Copeland’s statement about diversity and recognized the strides the film industry is making toward increasing representation for people of all backgrounds. Starring alongside Foy is Jayden Fowora-Knight who plays Phillip, a nutcracker soldier who accompanies Clara on her quest for the key.
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